Central Park,
New York, NY
Canon EOS Rebel 2000, ISO 100; Color Isolation and Removal.
I suppose it's a little silly that I find removing color from isolated sections of pictures (or, vice versa, leaving color in isolated sections of pictures) to be so pleasing. I really think that this is what Christo saw in his head when he envisioned The Gates. I can't imagine him being impressed with his orange gates, now no longer up, blending in with the scenery of a vibrant Central Park. The only possibility, then, is that he saw Central Park as a monochrome palette, either due to snow or a falsely black & white vision of the park.
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